Yes, that Axver. This album just sort of fell into my lap and I felt it was my duty, as a music blogger (term used loosely) to review it.
So let’s begin, shall we?
Here in Australia, 26 January is Invasion Day – or in official parlance, “Australia Day”. It marks the day in 1788 when when the First Fleet landed at Sydney Cove, illegally proclaimed British sovereignty over Aboriginal land, and proceeded to settle the continent under the lie of terra nullius. I would have liked to make an entry today that acknowledges and showcases how vibrant Aboriginal music is, but like many others who live in Australia, I am woefully ignorant in that regard. Sure, I know who Yothu Yindi are and I can name a couple of other Aboriginal musicians, but that won’t make for a terribly good entry. I’ll do something about this before the next Invasion Day.
Instead, I’d like to showcase some of the best music this country can offer that has been made by whitefellas such as myself. This country is a special place for us too, and some of Australian music culture is very rewarding, reflecting the sweeping diversity and intensity of the continent. This entry naturally cannot be truly comprehensive, and some legends of the local music scene are missing in the name of brevity – e.g. The Go-Betweens, Paul Kelly, Hunters & Collectors, and Nick Cave. I would also like to show people that Australian music is more than boorish pub rock and hard rock like Cold Chisel and AC/DC, or throwaway trash like Kylie Minogue and Savage Garden. So without any further ado …